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  4. “There Is No (Where a)<i>Face</i>Like Home”: Recognition and Appraisal Responses to Masked Facial<i>Dialects</i>of Emotion in Four Different National Cultures
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“There Is No (Where a)<i>Face</i>Like Home”: Recognition and Appraisal Responses to Masked Facial<i>Dialects</i>of Emotion in Four Different National Cultures

Journal
Perception
ISSN
0301-0066
1468-4233
Date Issued
2021
Author(s)
Myron Tsikandilakis
Zhaoliang Yu
Leonie Kausel
Gonzalo Boncompte
Facultad de Gobierno  
Renzo C. Lanfranco
Matt Oxner
Persefoni Bali
Poutasi Urale Leong
Man Qing
George Paterakis
Salvatore Caci
Alison Milbank
Pierre-Alexis Mevel
David Carmel
Christopher Madan
Jan Derrfuss
Peter Chapman
Type
Resource Types::text::journal::journal article
Scopus ID
2-s2.0-85120494156
WoS ID
WOS:000724997000003
DOI
10.1177/03010066211055983
URL
https://investigadores.udd.cl/handle/123456789/6401
URL Institutional Repository
http://hdl.handle.net/11447/5759
Abstract
<jats:p>The theory of universal emotions suggests that certain emotions such as fear, anger, disgust, sadness, surprise and happiness can be encountered cross-culturally. These emotions are expressed using specific facial movements that enable human communication. More recently, theoretical and empirical models have been used to propose that universal emotions could be expressed via discretely different facial movements in different cultures due to the non-convergent social evolution that takes place in different geographical areas. This has prompted the consideration that own-culture emotional faces have distinct evolutionary important sociobiological value and can be processed automatically, and without conscious awareness. In this paper, we tested this hypothesis using backward masking. We showed, in two different experiments per country of origin, to participants in Britain, Chile, New Zealand and Singapore, backward masked own and other-culture emotional faces. We assessed detection and recognition performance, and self-reports for emotionality and familiarity. We presented thorough cross-cultural experimental evidence that when using Bayesian assessment of non-parametric receiver operating characteristics and hit-versus-miss detection and recognition response analyses, masked faces showing own cultural dialects of emotion were rated higher for emotionality and familiarity compared to other-culture emotional faces and that this effect involved conscious awareness.</jats:p>
Subjects
culture

; 

emotion

; 

dialects

; 

masking

; 

conscious

; 

unconscious

; 

bayes theorem

; 

emotions

; 

facial expression

; 

facial recognition

; 

humans

; 

language

; 

recognition, psychology

; 

bayes theorem

; 

emotion

; 

facial expression

; 

facial recognition

; 

human

; 

language
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